Born: 1943. René Wellek Prize. In The Cosmic Web , N. Katherine Hayles seeks to establish the scope of the field concept and to assess its importance for contemporary thought. 484–500. Franklin Humanities Institute. While some marvel at these changes, envisioning consciousness downloaded into a computer or humans "beamed", Chaos and Order: Complex Dynamics in Literature and Science (New Practices of Inquiry) (English Edition), ( Short biography: Katherine Hayles is Distinguished Professor of English and media studies at the University of California, Los Angeles. September 5, 2013, Derivatives and Temporality. T: (919) 684.4127 Society for Literature, Science and the Arts. Full Text, Hayles, N. Katherine. N. Katherine Hayles is a literary critic and theorist. Science Fiction Research Associates. October 2013, Pilgrim Lifetime Achievement Award. Hayles, N. K. Electronic Literature: New Horizons for the Literary. "—Erik Davis, Village Voice "Could it be possible … $5,000 - $10,000. Hayles, N. K. How We Think: Digital Media and Contemporary Technogenesis. 8 N. Katherine Hayles (born 16 December 1943) is a postmodern literary critic, most notable for her contribution to the fields of literature and science, electronic literature, and American literature. Comparative Textual Media: Transforming the Humanities in the Postprint Era.University of Minnesota Press, 2013. (eBook epub) - bei eBook.de Despite the attention given to the development of the media landscape, relatively little is being done in our academic institutions to adjust. Franklin Humanities Institute. In Comparative Textual Media, editors N. Katherine Hayles and Jessica Pressman bring together an impressive range of essays from leading scholars to address the issue, among them Matthew Kirschenbaum on archiving in the digital era, Patricia Crain on the connection between a child’s formation of self and the possession of a book, and Mark Marino exploring how to read a digital text not for content but for traces of its underlying code. 1–257. Björn Wiman “I am Human”, cries the protagonist in Will Self’s novel Great Apes. N. Katherine Hayles is a noted postmodern literary critic and theorist as well as the author ofHow We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics which won the René Wellek Prize for the best book in literary theory for 1998-1999. University of Chicago Press, 2005. Hillsborough NC USA. xv–xvii. 2016, pp. Landmark Gallery, Dec. 1999. N. Katherine Hayles: How We Became Posthuman: Virtual bodies in cybernetics, literature and informatics. Gebundenes Buch With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis—the belief that humans and technics are coevolving—and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. Full Text. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. In Unthought, she once again bridges disciplines by revealing how we think without thinking—how we use cognitive processes that are inaccessible to consciousness yet necessary for it to function. Category: Technology Speakers; Fee Range. Hayles, N. Katherine. Her electronic literature "primer" is a wide-ranging essay that takes the pulse of the e-literature field at this particular moment, reminding us that "literature" has always been a contested category. Hayles, N. K. “Beyond Human Scale: Steve Tomasula's "The Book of Portraiture".” Steve Tomasula: The Art and Science of New Media Fiction, Bloomsbury, 2015. Her theoretical framework conceptualizes innovations in print technology as redistributions of cognitive capabilities between humans and machines. Electronic Literature Collection. Electronic Literature Organization, 2006. Email: katherine.hayles [AT-sign] engelska.uu.se Visiting address: Engelska parken, Thunbergsvägen 3 L Postal address: Box 527 751 20 Uppsala. Mark McGurl. Full Text. N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. The scientific discovery that chaotic systems embody deep structures of order is one of such wide-ranging implications that it has attracted attention across a spectrum of disciplines, including the humanities. 6 Contact for Virtual Fee. Society for Literature, Science and the Arts. From the central concept of the field—which depicts the world as a mutually interactive whole, with each part connected to every other part by an underlying field— have come models as diverse as quantum mathematics and Saussure’s theory of language. 15–15. Full Text, Hayles, N. K. “The cognitive nonconscious: Enlarging the mind of the humanities.” Critical Inquiry, vol. Riding the Meridian, 2000. N. Katherine Hayles. 158–79. Publications. 623, 2019, pp. 783–808. American Comparative Literature Association. Full Text, Hayles, N. K. “The Black Hole of Quantum Theory.” Novel a Forum on Fiction, vol. N. Katherine Hayles is known for breaking new ground at the intersection of the sciences and the humanities. 148–50. Par un mélange de panoramas théoriques remarquablement synthétiques et d’études de cas approfondies, tirées de la littérature et des arts contemporains, N. Katherine Hayles montre comment nous pensons par les médias, avec les médias et à côté des médias. Also available at. N. Katherine Hayles has 20 books on Goodreads with 5815 ratings. En contrepied d’un transhumanisme dépolitisé, il souligne que nos interactions avec les médias numériques sont incarnées, qu’elles produisent des effets sur le corps au niveau physique, et qu’elles s’inscrivent dans des conflits sociaux que la technologie ne suffira aucunement à résoudre par elle-même. In this volume, fourteen theorists explore the significance for literary and cultural studies of the new paradigm of chaotics, forging connections between contemporary literature and the science of chaos. N. KATHERINE HAYLES is professor of English atthe University of California, Los Angeles. Hayles, N. K. Foreword: From causality to correlation. N. Katherine Hayles A Modern Reader. Hayles, N. K., et al. 1 N. Katherine Hayles A Modern Reader. Comparative Textual Media: Transforming the Humanities in the Postprint Era (Electronic Mediations Book 42) (English Edition), ( These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Posted On - May 28, 2015. Electronic Literature, Buch (kartoniert) von N. Katherine Hayles bei hugendubel.de. Hayles received her B.S. When writing was accomplished by a quill pen, inkpot, and paper, it was easy to imagine that writing was nothing more than a means by which writers could transfer their thoughts to readers. Geben Sie es weiter, tauschen Sie es ein, © 1998-2020, Amazon.com, Inc. oder Tochtergesellschaften, Lieferung verfolgen oder Bestellung anzeigen, Recycling (einschließlich Entsorgung von Elektro- & Elektronikaltgeräten). We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. American Academy of Arts and Sciences. N. Katherine Hayles is Professor of English at UCLA and a major figure in the study of literature and science in the 20th and 21st centuries. Widely recognized as one of the leading departments in the nation, English at UCLA has long been known for its innovative research and excellence in teaching Hayles, N. Katherine - Department of English UCLA January 5, 2013, tenure evaluator Aden Evens, Dartmouth College : Tenure Evaluation, Aden Evens. “How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. N. Katherine Hayles professor of literature at Duke University is interviewed by Stacey Cochran for Raleigh Television Network program The Artist's Craft. The proliferation of technical media in the latter half of the twentieth century has revealed that the relationship between writer and reader is not so simple. Here you will find links to the usual scholarly material, including my CV, books, articles, videotaped lectures, and other material. Stanford Humanities Center. United States. Full Text, Hayles, N. K. “Human and machine cultures of reading: A cognitive-assemblage approach.” Pmla, vol. 320–34. Book N. Katherine Hayles for your Next Event. October 14, 2013, The Materiality of Experimental Literature. Hayles, N. K. “Is It Literature—or Art?” Second Natures, UCLA Department of Design/Media Arts, 2006, pp. xxii–xxiv. Hayles, N. Katherine, and Jessica Pressman, editors. The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century (English Edition), ( '…[Hayles] has written a deeply insightful and significant investigation of how cybernetics gradually reshaped the boundaries of the human. Reading Fast And Slow, Jessica Love, A Writer For The American Scholar 1550 Words | 7 Pages. – abhängig vom Lieferort. October 23, 2013, The Cognitive Nonconscious: Implications for the Humanities. She is the author of How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics which won the Rene Wellek Prize for the best book in literary theory for 1998–1999. Scopus, doi:10.1057/9780230371934. Scopus, doi:10.1632/pmla.2018.133.5.1225. For Gallop, Johnson, and many others, close reading not only assures the professionalism of the profession but also makes literary studies an important asset to the culture. Ultimately, Comparative Textual Media offers new insights that allow us to understand more deeply the implications of the choices we, and our institutions, are making. In Unthought, she once again bridges disciplines by revealing how we think without thinking—how we use cognitive processes that are inaccessible to consciousness yet necessary for it to function. 2015, pp. N. Katherine Hayles is known for breaking new ground at the intersection of the sciences and the humanities. N. Katherine Hayles. Prime-Mitglieder genießen Zugang zu schnellem und kostenlosem Versand, tausenden Filmen und Serienepisoden mit Prime Video und vielen weiteren exklusiven Vorteilen. Sprache: Englisch. Helfen Sie uns bei der Verbesserung unserer Autorenseiten, indem Sie Ihre Bibliografie aktualisieren und ein neues oder aktuelles Bild und eine Biografie übermitteln. 181–99. 58–71. 37–43. She teaches and writes on the relations of science, technology, and literature in the 20th and 21st centuries. “Cognitive Assemblages: Technical Agency and Human Interactions.” Critical Inquiry, vol. N. Katherine Hayles is a postmodern literary critic and the James B. Duke Professor of Literature at Duke University. 43, no. Scopus, doi:10.1353/mfs.2015.0025. In How We Became Posthuman, N. Katherine Hayles separates hype from fact, investigating the fate of embodiment in an information age. Her print book, How We Think: Digital Media and Contemporary Technogenesis, was published by the University of Chicago Press in spring 2012. Hayles, N. Katherine, and Jessica Pressman, editors. Hargrove, Amanda E. Preface. Digital Humanities; Electronic Literature; Literature, Science, and Technology; Science Fiction; Critical Theory, Fellowship. Hillsborough NC USA. This body of work traces a trajectory that began when, in graduate school, I made the … N. Katherine Hayles Welcome to my website. She then explores the literary strategies that are attributable directly or indirectly to the new paradigm; among the texts at which she looks closely are Robert Pirsig’s Zen and the Art of Motorcycle Maintenance, Nabokov’s Ada, D. H. Lawrence’s early novels and essays, Borges’s fiction, and Thomas Pynchon’s Gravity’s Rainbow. North Carolina US . “Speculative Aesthetics and Object Oriented Inquiry (OOI).” Speculations: A Journal of Speculative Realism, vol. 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